Sleeve Notes1990
Dub Be Good to Me
Beats International · 1990Recording
Recorded in London for Beats International’s debut-era sessions, with Norman Cook leading the project and Lindy Layton on vocals. The track was built around the Clash’s “The Guns of Brixton” bassline and the SOS Band’s “Just Be Good to Me.” The single became Beats International’s breakthrough hit and gave Norman Cook his first UK number one. Its sample-driven construction made it a defining example of the early-1990s collage approach in British club-pop. The track remains the group’s best-known recording and a signature early Norman Cook production. It is remembered as a touchstone for later sample-heavy crossover records associated with Cook’s Fatboy Slim era.
ArtistBeats International
Year1990
GenreContemporary R&B
StudioEsselle Studios
LabelGo! Beat
ProducersNorman Cook
How curators tag this
Contemporary R&B50%
Pop50%
Sound check
Same ArtistFig. A
For Spacious Beats
Beats International · 1989
For Spacious Lies
Beats International · 1989
Invasion of the Estate Agents
Beats International · 1989
Babies Makin’ Babies (Stoop Rap)
Beats International · 1990
Beats International Theme
Beats International · 1990
SamplesFig. B
The Guns of Brixton
The Clash · 1979 · sampled
Man with a Harmonica
Ennio Morricone · 1968 · sampled
Dub Be Good to Me
Faithless and Dido · 2002 · sampled-by
Year · 1990Fig. C
Artist · Beats InternationalIn the Sleeve Notes
1990s
1990Dub Be Good to MeYou are here
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