Sleeve Notes
Sleeve Notes1964
Needle in a Haystack

Needle in a Haystack

The Velvelettes · 1964
Recording

Recorded in July 1964 at Hitsville USA in Detroit with Norman Whitfield and William “Mickey” Stevenson. The session found the Velvelettes reduced to a trio after Betty Kelley had left and Mildred Gill was on maternity leave, and Whitfield had the group devise its own background vocals. Released on Motown’s V.I.P. imprint, it became the Velvelettes’ breakthrough single and their first national hit. The song reached No. 45 on the Billboard Hot 100 and helped establish Norman Whitfield as an important young Motown producer. The track remains the Velvelettes’ signature recording and a widely covered Motown girl-group staple. Its call-and-response arrangement and sharp backing-vocal hook kept it alive in soul-revival circles and on later reissues and compilations.

ArtistThe Velvelettes
Year1964
StudioHitsville USA
LabelV.I.P. Records
ProducersNorman Whitfield · William “Mickey” Stevenson
How curators tag this
Motown100%
Sound check
Same ArtistFig. A
He Was Really Sayin’ Somethin’
The Velvelettes · 1964
Should I Tell Them
The Velvelettes · 1964
Throw a Farewell Kiss
The Velvelettes · 1964
A Bird in the Hand (Is Worth Two in the Bush)
The Velvelettes · 1965
Since You’ve Been Loving Me
The Velvelettes · 1965
SamplesFig. B
Jive Bunny Goes to Motown
Jive Bunny and the Mastermixers · 1998 · sampled-by
Needle in a Haystack
The Twilights · 1966 · sampled-by
Needle in a Haystack
Tawny Reed · 1965 · sampled-by
Year · 1964Fig. C
Where Did Our Love Go
Diana Ross · 1964
Baby I Need Your Loving
Four Tops · 1964
Al Capone
Prince Buster · 1964
Burning Touch
Don Drummond · 1964
Come See About Me
Diana Ross/The Supremes · 1964
Same GenreFig. D
Abc
Jackson 5 · 1970
Suspicion
The Originals · 1997
Soul Man
Sam & Dave · 1967
What Becomes of the Brokenhearted
Jimmy Ruffin · 1966
Money
Barrett Strong · 1959
Artist · The VelvelettesIn the Sleeve Notes
1960s
1964Needle In A HaystackYou are here
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