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MIXUDG is a music discovery platform where every track in every mix expands to discover the tracks it sampled, who sampled or covered it, and what other tracks came out of that scene and year.
Save what you discover to your personal Record Box. Link it to your Apple Music, Spotify, Amazon or Beatport account to add tracks to your playlists or purchase them.
Echo
Chamber.
Discover. Share. Enjoy. Love. Repeat.
Have you noticed you're in the echo chamber? The algorithm shows you more of what you already like. It stopped finding you what you'd fall in love with next.
We did. That's why we built MIXUDG. We believe DJs and tastemakers should do what they've always done — spend hours digging through the crates to find those gems. Then produce mix tapes that feature the tracks we know with tracks we're yet to discover, but will soon obsess over.

Every
Track
Is A
Junction.
The DJ mix is one method of discovery. From there, we research every track in their mix — the artist's other work, other notable cuts from that year, deeper cuts from the genre, the records it sampled, and the records that later sampled it.
Stream tracks on your chosen service.
Buy the music you love.
Open our mixes as a playlist on the services you already use.
Record
Box.
As a mix plays, hit save on any track. Your box keeps them grouped by the mix they came from, ready when you come back.
Hit the ear icon for a 30-second clip, right there in the box.
Open the mix it came from, or jump straight to the track inside it.
Open on Spotify, Apple Music, YouTube Music, Amazon or Deezer.
Pick the record up on 7digital, Beatport or Discogs.

MIXUDG
Showcase
Mix.
Latest
Mixes.
The lines.
Colour = genre. Hover the bar to see which is which. Pick a line.

A Tribe Called Quest
Out of St. Albans, Queens, A Tribe Called Quest rebuilt what hip hop could sound like — trading hard-edged posturing for jazz loops, upright bass and a conversational ease that felt like friends thinking out loud. Q-Tip, Phife Dawg, Ali Shaheed Muhammad and Jarobi turned the crate into an instrument.
Their records are the connective tissue of this whole map: a Lou Reed bassline here, a Weldon Irvine horn there, the kind of sampling that sends you backwards through decades of records. Read them like architects — almost every corridor on the subway map passes through something they touched.
Follow the record, not the algorithm.
Every track opens into the records around it — the samples, the scenes, the artists, the years. Pull a thread and see where it goes.
Enter Discover





















